The Author of the Bomb

The drawing of the prophet Muhammed with a bomb in his turban has in the last months travelled around the world. Famous and at the same time hated. Because the combination of Islam and terrorism has offended millions of Muslims, who have seen the satirical line as an expression of the West's contempt for Muslims and their religion. But this is an misunderstanding, says the artist behind the controversial depiction.

Have you seen the funny cartoons? By Metter Dreyer (not yet on the death list)

[Journalist:] »What was the message in your drawing of the prophet Muhammed with a bomb in his turban?"«

[Artist:] »The drawing doesn't aim at Islam in general, but on the part that apparently can inspire to violence, terrorism, death and destruction. And thus the fundamentalist part of Islam. I wanted to point out that terrorists get their spiritual ammunition from Islam.«

[Journalist:] »Why was it important to you to get this message out?«

[Artist:] »If a religion deteriorates into religious Fascism, we are facing totalitarian tendencies, like we used to have Fascism and Nazism. It's the same situation, where people have to bend their heads and do what the regimen wants. I think we must oppose this - and an artists weapon is this here pen or pencil, and a certain indignation.«

[Journalist:] »Do you feel that your drawing has been misunderstood?«

[Artist:] »There are interpretations of it that aren't correct. There's the common perception among Muslims that it aims at Islam in general. It doesn't. It aims at some particular fundamentalist traits, which are of course not shared by everybody.«

»But the fuel to the acts of the terrorists comes from interpretations of Islam. I think there's no denying it. This doesn't mean that all Muslims are responsible for terror. It's about pointing out a connection from where the spiritual fuel comes. There are some interpretations of Islam, where you become a martyr if you die for Islam, and where you calmly can kill the Infidels and then you will be rewarded in the hereafter.«

[. . .]

[Journalist:] »Why was it necessary?«

[Artist:] »We were obliged to defend our view on free speech because a religion - or people practicing a religion and maybe professing to the more fundamentalist sides of it - have started to demand a privilege or an exceptional position in the public space. Take for instance the case of the author who couldn't get his book illustrated. We have to preserve our traditions for free speech, and I believe that if we hadn't made the drawings now, then the clash would have come anyway, sooner or later. Then it would have been a film, a theater play or a book. It's something we have to go through, but naturally we have to talk to each other and understand each other.«

[Journalist:] »You are an Atheist yourself, and at the same time known for having a hard line on religions. Is your cartoon a showdown with religion in general?

[Artist:] »I have nothing whatsoever against religions, but I think one should be skeptical towards the fundamentalist versions. A waxing religiousness means more intolerance and restrictions. It becomes troublesome when the whole existence is defined in a religious way. Both for those who become seized by it, and even more for all the others who don't. We are living in a time, where the religious obscurantism is spreading, apparently religion matters more and more. This then means that I, as an old Atheist, has become stronger in my faith.«

The artists name is deliberately left out, since the Security Intelligence Service out of security concerns advices him to to remain anonymous in the debate about the drawing of the prophet. Several death threats have been made against the artists.

Added: Jyllandsposten has made their own translation of the article:
The Cartoonist: The reason for the bomb in the turban.

Added: Updated the addresses of the articles.